Deadline
Populism and the Press in Venezuela
Deadline
Populism and the Press in Venezuela
In Deadline, anthropologist Robert Samet answers this question by focusing on the relationship between populism, the press, and what he calls “the will to security.” Drawing on nearly a decade of ethnographic research alongside journalists on the Caracas crime beat, he shows how the media shaped the politics of security from the ground up. Paradoxically, Venezuela’s punitive turn was not the product of dictatorship, but rather an outgrowth of practices and institutions normally associated with democracy. Samet reckons with this apparent contradiction by exploring the circulation of extralegal denuncias (accusations) by crime journalists, editors, sources, and audiences. Denuncias are a form of public shaming or exposé that channels popular anger against the powers that be. By showing how denuncias mobilize dissent, Deadline weaves a much larger tale about the relationship between the press, popular outrage, and the politics of security in the twenty-first century.
232 pages | 10 halftones, 2 maps, 2 line drawings | 6 x 9 | © 2019
Chicago Studies in Practices of Meaning
Anthropology: Cultural and Social Anthropology
History: Latin American History
Political Science: Urban Politics
Sociology: Criminology, Delinquency, Social Control
Reviews
Table of Contents
Introduction / Media and the Logic of Populism
One / Politics in the Chávez Era
Two / Crime Beat
Three / Crime City
Four / Malandro/Sano
Five / The Photographer’s Body
Six / Denouncers
Seven / Radicals and Reformers
Eight / The Subject of Wrongs
Conclusion / The Will to Security
Notes
Works Cited
Index
Awards
International Communication Association: Journalism Studies Divisional Book Award
Won
New England Council of Latin American Studies: Marysa Navarro Book Prize
Won
Society for Latin American and Caribbean Anthropology: Society for Latin American and Caribbean Anthropology Book Prize
Runner-Up
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