Ribbon of Darkness
Inferencing from the Shadowy Arts and Sciences
9780226630519
9780226630489
9780226630656
Ribbon of Darkness
Inferencing from the Shadowy Arts and Sciences
Over the course of her career, Barbara Stafford has established herself the preeminent scholar of the intersections of the arts and sciences, articulating new theories and methods for understanding the sublime, the mysterious, the inscrutable. Omnivorous in her research, she has published work that embraces neuroscience and philosophy, biology and culture, pinpointing connections among each discipline’s parallel concerns. Ribbon of Darkness is a monument to the scope of her work and the range of her intellect. At times associative, but always incisive, the essays in this new volume take on a distinctly contemporary purpose: to uncover the ethical force and moral aspects of overlapping scientific and creative inquiries. This shared territory, Stafford argues, offers important insights into—and clarifications of—current dilemmas about personhood, the supposedly menial nature of manual skill, the questionable borderlands of gene editing, the potentially refining value of dualism, and the limits of a materialist worldview.
Stafford organizes these essays around three concepts that structure the book: inscrutability, ineffability, and intuitability. All three, she explains, allow us to examine how both the arts and the sciences imaginatively infer meaning from the “veiled behavior of matter,” bringing these historically divided subjects into a shared intellectual inquiry and imbuing them with an ethical urgency. A vanguard work at the intersection of the arts and sciences, this book will be sure to guide readers from either realm into unfamiliar yet undeniably fertile territory.
Stafford organizes these essays around three concepts that structure the book: inscrutability, ineffability, and intuitability. All three, she explains, allow us to examine how both the arts and the sciences imaginatively infer meaning from the “veiled behavior of matter,” bringing these historically divided subjects into a shared intellectual inquiry and imbuing them with an ethical urgency. A vanguard work at the intersection of the arts and sciences, this book will be sure to guide readers from either realm into unfamiliar yet undeniably fertile territory.
Reviews
Table of Contents
Preface: The Bottom of the Garden
Introduction: On Being Struck: Hitting the Eye/Arousing the MindInscrutability
1 “Black and Glittering”: The Inscrutable Sublime
2 Lying Side by Side: Fitting Color to Eros
3 The Ultimate Conjuncture: What Shadows the Brain-Mind Merger?
4 Reconceiving the Warburg Library as a Working Museum of the Mind
Ineffability
5 From Communicable Matter to Incommunicable “Stuff”: Extreme Combinatorics and the Return of Ineffability
6 Impossible to Name: Performing the Ineffable
7 “Totally Visual”? Op Art’s Neural Iconography and the Engineered Picture
8 Dark Wonder: Belowness, or the Ineffable Underground
9 Still Deeper: The Non-Conscious Sublime or the Art and Science of Submergence
Intuitability
10 Strange Shadows/Marred Screens
11 Thought Gems: Inferencing from the Impersonal Crystalline
12 The Jewel Game: Gems, Fascination, and the Neuroscience of Visual Attention
13 From Observant Eye to Non-Attentive “I”: The Camera as Cognitive Device
14 Seizing Attention: Devices and Desires
Acknowledgments
Notes
Index
Notes
Index
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