The Subject of Elizabeth
Authority, Gender, and Representation
9780226534756
9780226534732
The Subject of Elizabeth
Authority, Gender, and Representation
As a woman wielding public authority, Elizabeth I embodied a paradox at the very center of sixteenth-century patriarchal English society. Louis Montrose’s long-awaited book, The Subject of Elizabeth, illuminates the ways in which the Queen and her subjects variously exploited or obfuscated this contradiction.
Montrose offers a masterful account of the texts, pictures, and performances in which the Queen was represented to her people, to her court, to foreign powers, and to Elizabeth herself. Retrieving this “Elizabethan imaginary” in all its richness and fascination, Montrose presents a sweeping new account of Elizabethan political culture. Along the way, he explores the representation of Elizabeth within the traditions of Tudor dynastic portraiture; explains the symbolic manipulation of Elizabeth’s body by both supporters and enemies of her regime; and considers how Elizabeth’s advancing age provided new occasions for misogynistic subversions of her royal charisma.
This book, the remarkable product of two decades of study by one of our most respected Renaissance scholars, will be welcomed by all historians, literary scholars, and art historians of the period.
Montrose offers a masterful account of the texts, pictures, and performances in which the Queen was represented to her people, to her court, to foreign powers, and to Elizabeth herself. Retrieving this “Elizabethan imaginary” in all its richness and fascination, Montrose presents a sweeping new account of Elizabethan political culture. Along the way, he explores the representation of Elizabeth within the traditions of Tudor dynastic portraiture; explains the symbolic manipulation of Elizabeth’s body by both supporters and enemies of her regime; and considers how Elizabeth’s advancing age provided new occasions for misogynistic subversions of her royal charisma.
This book, the remarkable product of two decades of study by one of our most respected Renaissance scholars, will be welcomed by all historians, literary scholars, and art historians of the period.
336 pages | 51 halftones | 6 x 9 | © 2006
Art: British Art
History: British and Irish History
Literature and Literary Criticism: British and Irish Literature
Reviews
Table of Contents
List of Illustrations
Acknowledgments
A Note on Quotations from Early Modern Texts
Introduction: Foundations and Trajectories
Part 1 - Dynasty and Difference
1. Contested Legitimacies
2. Filial Emulation
3. The Tudor Sisterhood
4. The Protestant Succession
Part 2 - Idolatries
5. Imagery, Policy, and Belief
6. Iconomachy
7. Instrumental Adoration
8. A Cult of Elizabeth?
Part 3 - Queen and Country
9. The Geopolitical Imaginary
10. Policy in Pictures
11. Purity and Danger
Part 4 - Resistances
12. Vox Populi
13. Defacing the Queen
14. Secrets of the Heart
Part 5 - Time’s Subject
15. A Queen of Shadows
16. Mysteries of State
17. Through the Looking Glass
Epilogue: The Jacobean Phoenix
Abbreviations
Notes
Bibliography
Index
Acknowledgments
A Note on Quotations from Early Modern Texts
Introduction: Foundations and Trajectories
Part 1 - Dynasty and Difference
1. Contested Legitimacies
2. Filial Emulation
3. The Tudor Sisterhood
4. The Protestant Succession
Part 2 - Idolatries
5. Imagery, Policy, and Belief
6. Iconomachy
7. Instrumental Adoration
8. A Cult of Elizabeth?
Part 3 - Queen and Country
9. The Geopolitical Imaginary
10. Policy in Pictures
11. Purity and Danger
Part 4 - Resistances
12. Vox Populi
13. Defacing the Queen
14. Secrets of the Heart
Part 5 - Time’s Subject
15. A Queen of Shadows
16. Mysteries of State
17. Through the Looking Glass
Epilogue: The Jacobean Phoenix
Abbreviations
Notes
Bibliography
Index
Awards
Renaissance Society of America: Phyllis Goodhart Gordan Book Prize
Honorable Mention
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