Distributed for Intellect Ltd
Architecture and the Urban in Spanish Film
Building on existing film and urban histories, this collection examines Spanish film through contemporary interdisciplinary theories of urban space, the built environment, visuality, and mass culture from the industrial age to the digital present.
Architecture and the Urban in Spanish Film brings together innovative scholarship from an international and interdisciplinary group of film, architecture, and urban studies scholars as they explore the reciprocal relationship between the seventh art and the built environment. The contributors explore a wide range of topics, including the role of film in the shifting relationship between private and public; the ways cinema as a new technology reshaped how cities and buildings are built and inhabited; the question of the mobile gaze; film and everyday life; monumentality and the construction of historical memory for a variety of viewing publics; and the effects of the digital and the virtual on filmmaking and spectatorship.
This engaging collection will interest anyone researching, teaching, and studying Spanish film, international film studies, urban, and cultural studies.
Table of Contents
List of Figures
Acknowledgments
Introduction Architecture, the Urban and the Critical Possibilities of Spanish Film Studies
Susan Larson
PART 1: ARCHITECTURE AND THE URBAN
1.Architecture, Urbanistic Ideology and the Poetic- AnalyticDocumentary Mode in Mercado de futuros (2011) by Mercedes Álvarez
Benjamin Fraser
2.Establishing Shots as Urban Blueprints in Spanish Feature Films
Jorge Gorostiza
PART 2: MOBILITY
3.The Rhythm of the Modern City: Traffic and Mobility in Spanish Film,1896– 1936
Nuria Rodríguez- Martín
4.Childhood Spectacle, Modernity and Madrid as a Dystopic City: LuisLucia’s Cerca de la ciudad (1952)
David Foshee
Elevators and the Poetics of Vertical Mobility in Spanish Film
Tom Whittaker
PART 3: SURFACE TENSIONS
6. An Archi- Texture of Pleasure: The Verbena, the Modistilla and the Mantón de Manila in Rosa de Madrid (1927)
Juli Highfill
7. Surface Tension and Utopian Underworlds: Orpheus and the Executioner in Luis García Berlanga’s El verdugo (1963)
Patricia Keller
PART 4: THE EVERYDAY
8. Mediating Everyday Life: Domestic Architecture in Spanish Film
Josefina González Cubero and Alba Zarza Arribas
9. Through the Looking Glass: Images of the Ordinary World in Oscar- Nominated Spanish Cinema
Emeterio Diez Puertas and María de Arana Aroca
PART 5: MEMORY AND THE MONUMENTAL
10. Who and What Was José Antonio Nieves Conde Criticizing in the Film El inquilino (1957)?
Susan Larson and Carlos Sambricio
11. Madrid 1964: Icon of Modernity or City of Memory? A Look at the ‘Details’
Vicente Sánchez- Biosca
12. Making Madrid Plastic: Waste and Space in Pedro Almodóvar’s Post- movida Films
Samuel Amago
PART 6: THE VIRTUAL
13. Uncanny Urbanism and Generational Shifts in Carlos Marques Marcet’s 10.000km and Anchor and Hope
Leigh Mercer
14. Dead to Capitalism: Zombified Territory and Junkie Spaces in Cabanyal Z, or How to Unleash Monstrous Creativity in the Urban
Stephen Luis Vilaseca
Notes on Contributors
Index