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An illustrated collection of essays on modern and contemporary Asian art by a key figure of the international contemporary art world.
An illustrated collection of more than thirty essays and 640 color images, Art and Trousers moves deftly between regional analysis, portraits of individual artists, and a metaphorical history of trousers. This book presents a panoramic view of modern and contemporary Asian art, varying its focus on the impacts of invention, tradition, exchange, colonization, politics, social development, and gender. David Elliott spotlights the practice of many leading global artists of the early twenty-first century, including Hiroshi Sugimoto, Cai Guo-Qiang, Ai Weiwei, Xu Bing, Rashid Rana, Bharti Kher, Makoto Aida, Chatchai Puipia, and Yeesookyung, among many others. Art and Trousers offers insight into the development of a key curatorial practice for our times, and it will be an essential resource for anyone seeking to understand contemporary art and the way it operates across borders.
An illustrated collection of more than thirty essays and 640 color images, Art and Trousers moves deftly between regional analysis, portraits of individual artists, and a metaphorical history of trousers. This book presents a panoramic view of modern and contemporary Asian art, varying its focus on the impacts of invention, tradition, exchange, colonization, politics, social development, and gender. David Elliott spotlights the practice of many leading global artists of the early twenty-first century, including Hiroshi Sugimoto, Cai Guo-Qiang, Ai Weiwei, Xu Bing, Rashid Rana, Bharti Kher, Makoto Aida, Chatchai Puipia, and Yeesookyung, among many others. Art and Trousers offers insight into the development of a key curatorial practice for our times, and it will be an essential resource for anyone seeking to understand contemporary art and the way it operates across borders.
368 pages | 640 color plates | 7 1/2 x 10 | © 2021
Art: Middle Eastern, African, and Asian Art
Asian Studies: General Asian Studies
Reviews
Table of Contents
ACKNOWLEDGEMENTS
PROLOGUE / Vishakha N. Desai
ME AND MY TROUSERS / Foreword by David Elliott
Part 1 / HISTORIES
The Slippered Pantaloon
Going Global: Alterity and Other Things at the Museum of Modern Art Oxford
From Ottoman Empire to Turkish Republic: Modernity at a Time of Change
Tokyo–Berlin: A Continuing Dialogue from Empire to Democracy
Bye Bye Kitty!!! . . . : Between Heaven and Hell in Contemporary Japanese Art
Heaven and Earth : Contemporary Art from the Center of Asia
Tibet : What If . . . ? Pitfalls of Identity in a Slippery Age
The Best of Times, The Worst of Times Contemporary Art along the Post-Soviet Silk Road
Part 2 / STORIES
Who is Wearing the Trousers?
KG Subramanyam: An Indian in Oxford
Jitish Kallat: Fugitive Moments of an Unacceptable Present
Rashid Rana: The Machinery of Truth
Naiza Khan: Image and Revelation
Xu Bing: Tradition, Representation and Language
Ai Weiwei: The Seeds of Time or the Sands of the Desert?
Song Dong: “Art, My Last Hope.”
Sun Yuan & Peng Yu: “Somewhere Beyond Rape and Adultery”
Xu Zhen: Chaos and Rectitude in the Face of History
Makoto Aida: The Surface of Things
Miwa Yanagi: The Four Ages of Woman
Chiharu Shiota: Time and Distance, Absence and Silence
Tomoko Kashiki: A Floating World
Heri Dono’s Paradox: The Arrow or the Kris?
Chatchai Puipia’s Last Masque: A Funerary Oration
Rodel Tapaya: “The One You Feed”
Choi Jeong Hwa: Gangbuk Style
Yeesookyung: Reflections on a Korean Urn
Part 3 / MIGRATIONS
A Short History Of The Trouser
Cai Guo-Qiang: Earth, Air and Fire
Zeng Xiaojun: Labyrinths
Hiroshi Sugimoto: The Faces of Infinity
Leiko Ikemura: The House Beyond the Horizon
Nezaket Ekici: The World in a House
Rasheed Araeen: The Dancer and the Flame
Bharti Kher: Icebergs in India, Snowballs in Hell
EPILOGUE
INDEX
PROLOGUE / Vishakha N. Desai
ME AND MY TROUSERS / Foreword by David Elliott
Part 1 / HISTORIES
The Slippered Pantaloon
Going Global: Alterity and Other Things at the Museum of Modern Art Oxford
From Ottoman Empire to Turkish Republic: Modernity at a Time of Change
Tokyo–Berlin: A Continuing Dialogue from Empire to Democracy
Bye Bye Kitty!!! . . . : Between Heaven and Hell in Contemporary Japanese Art
Heaven and Earth : Contemporary Art from the Center of Asia
Tibet : What If . . . ? Pitfalls of Identity in a Slippery Age
The Best of Times, The Worst of Times Contemporary Art along the Post-Soviet Silk Road
Part 2 / STORIES
Who is Wearing the Trousers?
KG Subramanyam: An Indian in Oxford
Jitish Kallat: Fugitive Moments of an Unacceptable Present
Rashid Rana: The Machinery of Truth
Naiza Khan: Image and Revelation
Xu Bing: Tradition, Representation and Language
Ai Weiwei: The Seeds of Time or the Sands of the Desert?
Song Dong: “Art, My Last Hope.”
Sun Yuan & Peng Yu: “Somewhere Beyond Rape and Adultery”
Xu Zhen: Chaos and Rectitude in the Face of History
Makoto Aida: The Surface of Things
Miwa Yanagi: The Four Ages of Woman
Chiharu Shiota: Time and Distance, Absence and Silence
Tomoko Kashiki: A Floating World
Heri Dono’s Paradox: The Arrow or the Kris?
Chatchai Puipia’s Last Masque: A Funerary Oration
Rodel Tapaya: “The One You Feed”
Choi Jeong Hwa: Gangbuk Style
Yeesookyung: Reflections on a Korean Urn
Part 3 / MIGRATIONS
A Short History Of The Trouser
Cai Guo-Qiang: Earth, Air and Fire
Zeng Xiaojun: Labyrinths
Hiroshi Sugimoto: The Faces of Infinity
Leiko Ikemura: The House Beyond the Horizon
Nezaket Ekici: The World in a House
Rasheed Araeen: The Dancer and the Flame
Bharti Kher: Icebergs in India, Snowballs in Hell
EPILOGUE
INDEX
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