Afterall
Fall/Winter 2022, Issue 54
9781846382628
Afterall
Fall/Winter 2022, Issue 54
The newest issue from the triannual journal of art history and theory.
Since its launching in 1999, Afterall, a journal of art, context, and inquiry, has offered in-depth considerations of the work of contemporary artists, along with essays that broaden the context in which to understand it. Published three times a year, Afterall also features essays on art history and critical theory.
This issue will focus on disability, health, and altered modes of perception. Artists discussed include Imogen Stidworthy (commentary by Mladen Dolar and Nuria Enguita May), Christine Sun Kim (commentary by Bárbara Rodríguez Muñoz, as well as an artist contribution), Arthur Bispo do Rosário, and Tarek Atou (commentary by Rayya Badra). The issue also features Brenda Caro Cocotle on “care” as a trend, Justin Erik Halldór Smith on “The Normal and Pathological Today," and Sunil Shah on "Documenta."
Since its launching in 1999, Afterall, a journal of art, context, and inquiry, has offered in-depth considerations of the work of contemporary artists, along with essays that broaden the context in which to understand it. Published three times a year, Afterall also features essays on art history and critical theory.
This issue will focus on disability, health, and altered modes of perception. Artists discussed include Imogen Stidworthy (commentary by Mladen Dolar and Nuria Enguita May), Christine Sun Kim (commentary by Bárbara Rodríguez Muñoz, as well as an artist contribution), Arthur Bispo do Rosário, and Tarek Atou (commentary by Rayya Badra). The issue also features Brenda Caro Cocotle on “care” as a trend, Justin Erik Halldór Smith on “The Normal and Pathological Today," and Sunil Shah on "Documenta."
150 pages | illustrated in color throughout | 7 1/2 x 11 3/4 | © 2022
Table of Contents
Foreword
Elisa Adami
ARTISTS: IMOGEN STIDWORTHY
Atmospheres Full of Information: A Conversation with Imogen Stidworthy
Nav Haq
Voicing: Imogen Stidworthy’s Practice of Exodus
Eleni Ikoniadou
CONTEXTS
We Burn Disbelief: Disability, Surveillance Infrastructures and Salvation Ecologies
Khairani Barokka
ARTISTS: CHRISTINE SUN KIM
Access as Generative Site: In Conversation with Christine Sun Kim
Bárbara Rodríguez Muñoz
ARTISTS: TAREK ATOUI
‘Like Waves in My Body’: On Tarek Atoui’s Sonic Practice
Rayya Badran
CONTEXTS
Politics Inc.
Vladimir Safatle
ARTISTS: ARTHUR BISPO DO ROSÁRIO
Arthur Bispo do Rosário, An Emblematic Art Brut/Outsider Creator
Edward Gómez
Representing the World, Weathering its End: Arthur Bispo do Rosário’s Ecology of the Ship
Marlon Miguel
CONTEXTS
Whatever the Future Will Be, It Is Made Now
Bart De Baere
EVENTS, WORKS, EXHIBITIONS
The Rise (and Fall?) of the Postcolonial Documenta
Sunil Shah
ARTISTS: SILKE OTTO-KNAPP
Silke Otto-Knapp (1970–2022)
Mark Lewis
Contributors
Colophon
Elisa Adami
ARTISTS: IMOGEN STIDWORTHY
Atmospheres Full of Information: A Conversation with Imogen Stidworthy
Nav Haq
Voicing: Imogen Stidworthy’s Practice of Exodus
Eleni Ikoniadou
CONTEXTS
We Burn Disbelief: Disability, Surveillance Infrastructures and Salvation Ecologies
Khairani Barokka
ARTISTS: CHRISTINE SUN KIM
Access as Generative Site: In Conversation with Christine Sun Kim
Bárbara Rodríguez Muñoz
ARTISTS: TAREK ATOUI
‘Like Waves in My Body’: On Tarek Atoui’s Sonic Practice
Rayya Badran
CONTEXTS
Politics Inc.
Vladimir Safatle
ARTISTS: ARTHUR BISPO DO ROSÁRIO
Arthur Bispo do Rosário, An Emblematic Art Brut/Outsider Creator
Edward Gómez
Representing the World, Weathering its End: Arthur Bispo do Rosário’s Ecology of the Ship
Marlon Miguel
CONTEXTS
Whatever the Future Will Be, It Is Made Now
Bart De Baere
EVENTS, WORKS, EXHIBITIONS
The Rise (and Fall?) of the Postcolonial Documenta
Sunil Shah
ARTISTS: SILKE OTTO-KNAPP
Silke Otto-Knapp (1970–2022)
Mark Lewis
Contributors
Colophon