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Distributed for Intellect Ltd

Dancing Place

Scores of the City, Scores of the Shore

Distributed for Intellect Ltd

Dancing Place

Scores of the City, Scores of the Shore

Dancing as dialogue: a study of movement and place that explores the fundamental entanglement of humans and the environment through dance.

Dancing Place intertwines dance ethnography, Black feminism, and a new materialist lens, using movement scores as methods and tools for a practice of eco-somatic, place-based artmaking. These scores manifest as embodied dance methods, guiding a reflective engagement with and in the environment and offering a framework for understanding how movement both emerges from and shapes the places we inhabit. 

Adesola Akinleye and Helen Kindred invite readers into choreographic processes that explore somatic awareness, offering movement scores as a reference for sensing and belonging within the world around us. The book blends text, poetic prose, and story-telling as well as a collection of generative scores drawn from transdisciplinary workshops to critically assess how dance emerges through deep engagement with place. 

A necessary resource for dance practitioners, spatial planners, ecologists, and environmental scholars, Dancing Place opens new ways of understanding dance as a method of reciprocity and deep relational practice.

144 pages | 6.69 x 9.61 | © 2025

Art: Art--General Studies

Geography: Environmental Geography


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Table of Contents

List of Figures

Thank Yous

 

Chapter One: Concrete, Water, Flesh

I, You, We

Relationality

Bodies, Humans, and flesh

Dance as method

Transcorporeality of the assemblage

Eco-somatic

With and in Assemblages

Beginning

 

Chapter Two: Everyday Scores, Feedback Scores, and Choreographic Scores

Concrete: Everyday city scores

Water: Feedback scores

Flesh: Choreographic Scores

Summary

 

Chapter Three: Proficiencies in Emergence and Infrastructures

Water: Longshore drift and emergence

Concrete: Lido layers and infrastructure

Flesh: With-in the beach

Summary

 

Chapter Four: Presence with-in Scores

Flesh: Presence is at the periphery

Water: Presence as emergent intensities

Concrete: Performance and the opacity of choreographic-scores

Summary

 

Chapter Five: Eco-somatic Collaborations

Flesh: Being in process with-in processes

Concrete: Co-authorship and accountability of collaboration with things

Water: Fluid collaborations, flow of authorship

Summary

 

Chapter Six: Score Methods

Water: Iterations of scores

Flesh: Doing scores

Concrete: Knowing scores

Coda

 

Notes

Bibliography

Index

 

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