“A spinning novel exploring suicide and the shocking trend of creative people to it and the world of literature, In Spite of the Dark Silence is a fascinating and very highly recommended read, not to be missed.”

Midwest Book Review

“Jorge Volpi’s work is a fundamental reference to the new Latin American narrative. At a time when doubt confronts the viability and possibilities of the novel as a genre, this writer’s ambition is admirable. Volpi shows in a powerful way that there isn’t anything beyond the novel’s reach; poetry and science are, here, an indissoluble part of the search to understand the human condition.”

Edmundo Paz-Soldán, Cornell University

“This early novel by Jorge Volpi shows the lyric, even mystical, side of a writer one might otherwise associate exclusively with social and political fiction. Ably translated by Olivia Maciel, Volpi’s portrayal of the life and death of Mexican avant-garde poet Jorge Cuesta (1903–1942) is equal parts poetry and alchemy. Cuesta’s madness, his self-castration and suicide, inspires and maddens the novel’s protagonist, and in doing so provides a new genealogy—very Mexican, yet also cosmopolitan, yet also beyond such false dichotomies—for the novelists of this generation.”

Patrick O’Connor, Oberlin College

“After emasculating himself and finishing one of the most important long poems in Spanish of the twentieth century, Jorge Cuesta kills himself in 1942 at the mental clinic where he was confined. With this in mind, Volpi has achieved a short masterpiece of great precision and intensity.”

Eloy Urroz Kanan, The Citadel

With In Spite of the Dark Silence, Jorge Volpi puts a new spin on a classic tale of obsession, following the fictional narrator who is consumed with his research of actual Mexican poet and chemist, Jorge Cuesta. The fictionalized biography, in its slightly bizarre nature, weaves the narrator’s research of Cuesta with the downward spiral of his personal life, and will quickly envelop its readers, leaving them with memorable lyrical prose and fragmented sentence structures. . . . Hauntingly arresting"—Three Percent

Three Percent

“In Spite of the Dark Silence anticipates many of the concerns that would preoccupy Mexican novelists for the next two decades. Behind the critical existentialism of Volpi’s prose, behind his search for the truth about the lost poeta modernista, we can almost hear the echoes of Roberto Bolaño’s Los detectives salvajes, Juan Villoro’s El testigo, and more recently, Valeria Luiselli’s Los ingrávidos.”

Review: Literature and Arts of the Americas