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Distributed for National University of Singapore Press

Ink Studies

Everyday Practices of Calligraphy in Contemporary China

Distributed for National University of Singapore Press

Ink Studies

Everyday Practices of Calligraphy in Contemporary China

In a world where writing by hand is disappearing, Laura Vermeeren studies why calligraphy in China is not just surviving, but evolving in surprising ways.

As handwriting fades in the digital age, calligraphy in China is caught between tradition and reinvention. Ink Studies deconstructs this paradox, determining how calligraphy is not simply an ancient art form, but more so a site of ongoing cultural negotiation. Laura Vermeeren investigates how calligraphy moves through five distinct visual and social fields, shaping and being shaped by its practitioners. While often framed as an act of repetition and tied to centuries of disciplined copying, calligraphy also emerges here as a force of creativity—one that is actively mobilized in contemporary China, whether through state-sponsored initiatives or the aesthetics of modern design.

Uniting contemporary art and media history, Ink Studies provides vital perspectives on how China’s past is continually reimagined in the present, portraying calligraphy’s enduring relevance in an era of rapid technological change.

228 pages | 40 halftones | 5.98 x 9.02 | © 2025

Art: Middle Eastern, African, and Asian Art

Asian Studies: East Asia


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Reviews

“This year’s winner of the ASCA Book Award brings together ancient tradition and modern media in an innovative and deeply engaged way. It asks us to think about how writing and art interact through a practice with deep roots, which is being transformed and reinvented in the context of a changing society and the growth of digital culture…. Ink Studies takes us from the process of learning calligraphy, with its links to discipline and imitation of respected traditional styles, to the everyday and playful art of ‘water calligraphy’, practised in parks across China each morning…. The committee were deeply impressed with the depth, diligence and inventiveness of Vermeeren’s work, which is itself a work of mediation between past and present, art and writing, social structures and individual experiences. We are very pleased to present the award to Ink Studies.”

Winner of the 2026 ASCA (Amsterdam School for Cultural Analysis) Book Award

“One of the core strengths of Vermeeren’s monograph, for example, is the skill with which she embeds contemporary lived realities within a deeper frame of historical reference, summarising key lines of development in an engaging manner ideally suited for those unfamiliar with the topic as well as for scholars of Chinese culture seeking to align her argument with their own areas of expertise…. Guest’s Invisible Ink and Vermeeren’s Ink Studies, both as standalone and corresponding texts, bring a much-needed depth of analysis to two aspects of contemporary Chinese artistic and cultural expression that have gained increasing global visibility over the past two decades.”

Third Text

Table of Contents

List of Interviews
List of Images
Acknowledgements
Preface
Introduction
Calligraphy education: disciplining conduct
Water calligraphy: the ephemeral everyday
Contemporary calligraphy: leaving characters?
Calligraphy and the digital: remediated calligraphic community
Creative calligraphic fonts: the skin of culture
Coda
Notes
Bibliography
Index

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