A thought-provoking reflection on Black art within the Canadian cultural landscape.
Featuring boundary-breaking artists and scholars, Making History collects poems, artist statements, and portfolios that showcase thoughtful understandings of Black aesthetics, Black contemporary art’s institutional presence, and perspectives on modern and historical art practices throughout Canada.
Making History explores new approaches to the relationship between institutions, artists, and audiences while emphasizing collaboration, resisting exclusionary curatorial practices, and allowing multiple perspectives to bring about transformative change.
Table of Contents
Foreword | Josh Basseches
Introduction | Julie Crooks, Dominique Fontaine, and Silvia Forni
Residues of History and Ongoing Challenges
1 Of Africa: A Reflection on “Speaking Back” | Julie Crooks and Dominique Fontaine
2 Opening Spaces: Of Africa, Hauntings, Hesitations, and Possible Futures | Silvia Forni
3 The Into the Heart of Africa Exhibition and the Coalition for the Truth about Africa: A Personal Journey | Afua Cooper
4 Lessons Learned from the Heart of Afro-Canada: Into the Heart of Africa 30 Years Later | Rita Shelton Deverell
5 A Life in the Day of an Object | Nourbese Philip
Black Art/Black Canada
6 Here We Are Here: Creating in the Black Atlantic | Sylvia D. Hamilton
7 Sweet Childhood, Art, and Memory | Bushra Junaid
8 From Souvenir to How She Read: The Poetry behind the Design | Chantal Gibson
9 Between Absence and Presence: The Politics and Poetics of (In)Visibility in the Work of Sandra Brewster | Pamela Edmonds
10 On Sucking Teeth | Michèle Pearson Clarke
11 Hoodies and Regimentals: Black Attire and Access in the Canadian Art Museum | Joana Joachim
12 What to Wear in Canada in Winter | Sally Frater
13 Longing and Belonging: A Personal Journey through Art and Identity | Karin Jones
14 Singularity and Strangeness: One-on-One with Eddy Firmin | Dominique Fontaine
15 On Quiet Happiness, Charcoal, Wood, and Metal: Charmaine Lurch’s Being, Belonging and Grace | Katherine McKittrick
16 Esmaa Mohamoud: Playing the Game | Kelsey Adams
17 Twisted Together: The Sweet Ironies of Belonging in the Art of Bushra Junaid | Honor Ford-Smith
18 A Self-Portrait of Creation: Depi m sòti nan Ginen | Stéphane Martelly
19 Digging Us: Making Visible Black Canadian Narratives | Andrea Fatona
Towards a History of Black Art in Canadian Institutions: Here We Are Here?
20 Travelling Exhibition: Here We Are Here at the Montreal Museum of Fine Arts | Shelley Ruth Butler
21 Why Are There No Famous Black Canadian Artists? Here We Are Here and How Diversity and Inclusion Trump Aesthetic Critique | Rinaldo Walcott
22 The Pervasive Persistence of Primitivism: Face-to-Face and Exhibition Practices in the 21st Century | Elizabeth Harney
Contributors