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Poems that travel through time and terrain, seeking solace in the raw physicality of the world.

To grieve is to search. In Pine, Jonathan Johnson’s poems travel across continents: through Michigan’s Upper Peninsula, the Scottish Highlands, the Greek islands, and the mountain wildernesses of the American Northwest, seeking meaning in the spaces left behind. These poems embrace the raw physicality of place, uncovering the deep textures of the natural world as both a witness and companion to loss.

Amid the perpetual elegy of everything, Pine offers moments of improbable wonder. Johnson’s voice is steady and rich with narrative, guiding us through landscapes of memory and wilderness alike. In this intimate collection, grief and grace are intertwined, and the world—against all odds—goes on.

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Reviews

Previous praise for Jonathan Johnson’s poetry:

"Jonathan Johnson’s poems bristle with narrative but their great strength lies in their physicality. Reading this book, you find yourself in a world rich in texture, raw with meaning, vastly more immediate and American than the Internet, addressed by a voice you learn to trust."

Adrianne Rich on Mastodon, 80% Complete

Previous praise for Jonathan Johnson’s poetry:
"Johnson’s Mastodon, 80% Complete is fresh, tough, and stimulating, full of 'thinginess,' textural concretia, a specific density that carries the reader along as a participant, whether willing or not. It is fascinating and original work."

Jim Harrison

Previous praise for Jonathan Johnson’s poetry:

"Panoramic in sweep and tender in spirit, these poems whirl us across many American landscapes and zoom us into many lives—from Wyatt Earp’s wife’s to that of a grieving son. Johnson is a generous pathologist of the human heart who is careful to leave its mystery intact."

Lucia Perillo on In the Land We Imagined Ourselves

Previous praise for Jonathan Johnson’s poetry:

"I love the blasting, rock and roll energy in Jonathan Johnson’s poetry. . . . Though it is tinged with sorrow, In the Land We Imagined Ourselves makes me glad of heart—makes me, in Johnson’s better words, 'happy to be hungry in the oh so cinematic air.'”

Campbell McGrath

Previous praise for Jonathan Johnson’s poetry:
"I prize Jonathan Johnson’s stunning new collection, In the Land We Imagined Ourselves, and I believe in the lives found here."

William Olsen

Table of Contents

Prologue
11In a New Grief

Marquette
15Chorus of the Cold Weather Body Farm
17“What’s Your Name, and What City
Are You Calling From?”
19I just can’t remember who to send it to
20The Snowplows of My Hometown
22Winter Shore
23Over the Bridge at the Mouth of the Dead
24Maybe I’m Not Grieving Right
25Genesis
26Nagasaki, Marquette
28Hometown for the Summer
29Matins
30Common
31Twenty-Five Miles from Milk
32The Trees of Town
33Two Neighborhood Robins
34Tensile
35The Historic House Painter
36Samu as Cutting Wood a Winter Ahead
38When Something’s Good, Keep It

Glenelg and Grace in Distant Ruins
41The Still Voice Ruin
42Return
43The Glen
45Ancestry on Glenelg Bay
46Realism
47Glenelg Wedding Eve
48Among Ancestors’ Wild Summits
49After November, December
50My Brilliant Former Student and Friend Twenty
Years Younger than Me and Struggling to Find a
Meaningful Job Ended His Life in November
51Defenseless
52Reading Seferis at Sea
53Somewhere on the Ruins of Somewhere Else
54You Travel Awhile
55When I Think of Cathedrals
57Fade
59Wanting It to Count for More
61Sally Mann
62The Last Pregnancy Test
64Art
65In Nazaré for the Waves when Some Friends
Are Dying and Others Dead

The Farm, the Cabin, High Wildreness West
69Pine
71Route
87Cobweb in Winter
89Hypochondria Coping Strategy with Barn
90Unstacking the Wood
91Whose Name was writ in Water
92Valley of the Present Perfect
93the holiness of the Heart’s affection
94Among Riverbank Cottonwoods
95Amy

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