1. ARTISTS USE OF ANCIENT MODELS  

Morten Stræde: Between Scylla and Charybdis. Concerning the Artist’s perception of Antiquity

Seymour Howard: Michelangelo and Greek Sculpture

Beatrice Palma: Pirro Logorio and the Rediscovery of Antiquity

Maria Grazia Picozzi: Orfeo Boselli and the Interpretation of the Antique

Susanne Pieper: The Artist’s Contribution to the Rediscovery of the Caesar-Iconography

Anne Marie Leander Touati: How to choose Ancient Models. The Example of John Tobias Sergel (1740-1802)

Marjatta Nielsen: Between Art and Archaeology: Johannes Wiedewelt in Rome (1754-1758)

2. FORMING IDEAS AND SHAPING TASTE

Ruurd Halbertsma: ’An ornament of the mind’ - C.J.C. Reuvens’ Ideas about the Benefits of Archaeology for Art and Society in the Netherlands

Jane Fejfer: Wiedewelt, Winckelmann and Antiquity

Karin Kryger: Julianehøj and the Memorial Grove at Jægerspris

Jens Peter Munk: Copy - Topos - Paraphrase. The Reception of Antiquity by Nineteenth Century Danish Artists

Maria Elisa Micheli: Iudicium et ordo: Antonio Canova and Antiquity

Joselita Raspi Serra: Laurent Guiard: Memory of the Antique

3. ARTISTS AND PATRONS

Beth Cohen: Mantua, Mantegna and Rome: The grotte of Isabella D’Este reconsidered

Viccy Coltman: ’Providence send us a lord’: Joseph Nollekens and Bartolomeo Cava

Tomasz Mikocki: Polish Artists and the Emergence of Archaeology in Eighteenth century Rome

Stefania Macioce: Caravaggio and the Role of the Antique

4. CREATING COLLECTIONS  

Gilda Bartoloni and Piera Bocci Pacini: The Importance of Etruscan Antiquity in the Tuscan Renaissance

Claire Lyons: Antiquities and Art Theory in the Collections of Vicente Victoria

Hannemarie Ragn Jensen: On Danish Painters Collecting Antiquities for the Royal Academy in Copenhagen

Book Reviews

Helle Horsnæs: Rev. of Rita Benassai: La pittura dei Campani e dei Sanniti. L’Erma di Bretschneider 2001

Rune Fredericksen: Rev. of Inge Nielsen: Cultic Theatres and Ritual Drama. Aarhus University Press 2002