Introduction 1  / Manijeh Mannani and Veronica Thompson

A Semiotic Reading of Hédi Bouraoui’s The Woman Between the Lines 13 / Elizabeth Dahab

Mourning Lost “Others” in Ronnie Burkett’s Happy 39 / Janne Cleveland

Putting an End to Recycled Violence in Colleen Wagner’s The Monument 69 / Gilbert McInnis

Representations of the Self and the Other in Canadian Intercultural Theatre 95 / Anne Nothof

Pulling Her Self Together: Daphne Marlatt’s Ana Historic 115 / Veronica Thompson

“New, Angular Possibilities”: Redefining Ethnicity Through Transcultural Exchanges in Marusya Bociurkiw’s The Children of Mary 151 / Dana Patrascu-Kingsley

The Elegiac Loss of the English- Canadian Self and the End of the Romantic Identification with the Aboriginal Other in Leonard Cohen’s Beautiful Losers 175 / Jesse Rae Archibald-Barber

Playing the Role of the Tribe: The Aesthetics of Appropriation in Canadian Aboriginal Hip Hop 207 / Thor Polukoshko

Toward a Theory of the Dubject: Doubling and Spacing the Self in Canadian Media Culture 235 / Mark A. McCutcheon

List of Contributors 265