I’d Fight the World
A Political History of Old-Time, Hillbilly, and Country Music
9780226923000
9780226922997
9780226923017
I’d Fight the World
A Political History of Old-Time, Hillbilly, and Country Music
Long before the United States had presidents from the world of movies and reality TV, we had scores of politicians with connections to country music. In I’d Fight the World, Peter La Chapelle traces the deep bonds between country music and politics, from the nineteenth-century rise of fiddler-politicians to more recent figures like Pappy O’Daniel, Roy Acuff, and Rob Quist. These performers and politicians both rode and resisted cultural waves: some advocated for the poor and dispossessed, and others voiced religious and racial anger, but they all walked the line between exploiting their celebrity and righteously taking on the world. La Chapelle vividly shows how country music campaigners have profoundly influenced the American political landscape.
An audiobook version is available.
336 pages | 20 halftones | 6 x 9 | © 2019
History: American History
Music: General Music
Political Science: American Government and Politics
Reviews
Table of Contents
Introduction: The Ghost of Tom Watson
Part I: Fire on the Mountain: The Initial Surge of Old-Time and Hillbilly Music Campaigns
Chapter 1: “Like Orpheus”: The Nineteenth Century Encounters the Twentieth
Chapter 2: Antisemitism and Henry Ford’s Old-Time Music Revival
Chapter 3: Sound Trucks and Radio Stars: The Arrival of the Nonperformers
Chapter 4: Pensions and Poll Taxes: Identifying a Style of Hillbilly Music Politics
Chapter 5: Utopian Buckaroo: Senator Glen Taylor and Country Music’s Left Tradition
Part II: Dixie-Bent and White House–Bound: Regional Culture, National Aspirations
Chapter 6: A Fiery but Fickle Faith: The Vanderbilt Agrarians, Southern Politics, and the Country Music Memoir
Chapter 7: The Nonperformers Take Over: Big Jim, the Little Judge, and the Nationalization of Country Music Politics
Chapter 8: Still Not Ready to Make Nice: The Legacies of the Country Music Campaign
Part I: Fire on the Mountain: The Initial Surge of Old-Time and Hillbilly Music Campaigns
Chapter 1: “Like Orpheus”: The Nineteenth Century Encounters the Twentieth
Chapter 2: Antisemitism and Henry Ford’s Old-Time Music Revival
Chapter 3: Sound Trucks and Radio Stars: The Arrival of the Nonperformers
Chapter 4: Pensions and Poll Taxes: Identifying a Style of Hillbilly Music Politics
Chapter 5: Utopian Buckaroo: Senator Glen Taylor and Country Music’s Left Tradition
Part II: Dixie-Bent and White House–Bound: Regional Culture, National Aspirations
Chapter 6: A Fiery but Fickle Faith: The Vanderbilt Agrarians, Southern Politics, and the Country Music Memoir
Chapter 7: The Nonperformers Take Over: Big Jim, the Little Judge, and the Nationalization of Country Music Politics
Chapter 8: Still Not Ready to Make Nice: The Legacies of the Country Music Campaign
Acknowledgments
Notes
Index
Notes
Index
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