General Music
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Nostalgia and Videogame Music
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The Operas of Giuseppe Verdi
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Jewish Musical Modernism, Old and New
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Song and Self
The Sound of Byzantium
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Creative Impulses, Cultural Accents
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Blue Notes in Black and White
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Stories of Tonality in the Age of François-Joseph Fétis
Verdi’s Middle Period
Civic Jazz
Move On Up
Musical Migration and Imperial New York
Duke Ellington’s America
Crooner
Rave On
Rock Legends at Rockfield
International Velvet
Music
Learning to Listen
The Rhythmic Structure of Music
A Listener’s Guide to Free Improvisation
Pick Up the Pieces
Conversations with Glenn Gould
The Triumph of Pleasure
Sonic Flux
Igor Stravinsky
Music in Golden-Age Florence, 1250–1750
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Francesca Caccini at the Medici Court
Curious and Modern Inventions
Women and Musical Salons in the Enlightenment
The Civic Muse
The Art of the Blues
The Idea of Absolute Music
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The Revolution’s Echoes
Creatures of the Air
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Verdi’s Theater
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Poliuto
Gustav Mahler
Guitar Makers
Beethoven for a Later Age
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Swingin’ the Dream
Singing Sappho
The Capitalist Imaginaries of Popular Music
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Music, Theater, and Cultural Transfer
Opera and Sovereignty
The Voice as Something More
The Composer Embalmed
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Hip-Hop Archives
A Place for Us
The Music of Antonio Carlos Jobim
Paris Blues
Richard Wagner
Jammin’ at the Margins
Music in the Castle
Deep Refrains
The Musician as Philosopher
The Making of Handel’s Messiah
O Sing unto the Lord
Going for Jazz
Vaudeville Melodies
Beethoven’s Symphonies
Richard Wagner
Robert Schumann
Blowin’ Hot and Cool
The Urbanization of Opera
Angela Gheorghiu
The Guitar
Sound Diplomacy
Sound Authorities
Puccini
The Miles Davis Lost Quintet and Other Revolutionary Ensembles
Pat Metheny
You’ll Know When You Get There
Ornette Coleman
Voice Machines
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Divas and Scholars
The Symphony Concert in Nazi Germany
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Coverscaping
Country and Midwestern
Sergei Prokofiev
Seems Like Murder Here
Neil Young
The Melodramatic Moment
Harmonic Function in Chromatic Music
The Death and Resurrection of Elvis Presley
Song Noir
John Cage
Music Theory and the Exploration of the Past
The Many Meanings of Mina
Peter Gabriel
Music and Levels of Narration in Film
A Book of Noises
Manuel de Falla and Modernism in Spain, 1898-1936
Perfect Wave
The Music between Us
Film, Music, Memory
The Moses Complex
Opera Observed
Everyone Loves Live Music
Genre in Popular Music
Four Last Songs
Bitten by the Blues
The Beatles in Hamburg
Who’s Who in Research: Performing Arts
Listening to China
Re-Envisioning Past Musical Cultures
The Eighth
Backstage at the Revolution
Our Musicals, Ourselves
Sounds Beyond
On Concepts and Classifications of Musical Instruments
A Language of Its Own
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Anthem Quality
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The Monkees
Biblical Families in Music
Jazz on the River
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Beethoven
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Strong on Music: The New York Music Scene in the Days of George Templeton Strong, Volume 2
Strong on Music: The New York Music Scene in the Days of George Templeton Strong, Volume 3
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Emotion and Meaning in Music
Music, the Arts, and Ideas
The Spheres of Music
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From Broadway to The Bronx
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Off the Ground
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Sounding Latin Music, Hearing the Americas
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Street Scriptures
Tosca’s Rome
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The Beat Cop
Music by Numbers
Divining the Oracle
Trustees of Culture
Sonic Signatures
London Voices, 1820–1840
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The Philosophy of Improvisation
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In Search of Tito’s Punks
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A Catalogue of Early Printed Editions of the Works of Frederic Chopin in The University of Chicago Library
A Descriptive Catalogue of Early Editions of the Works of Frederic Chopin in the University of Chicago Library
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The Whole Book of Psalms Collected into English Metre by Thomas Sternhold, John Hopkins, and Others
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Deleuze and Film Music
Urban Music Governance
Antonio Salieri and Viennese Opera
Saint Cecilia in the Renaissance
The Temple of Fame and Friendship
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Van Halen
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Robert Schumann’s Advice to Young Musicians
Haplomatics
Puccini’s Soundscapes
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Computing Taste
Who Killed Cock Robin?
Music in the Present Tense
Heavy Metal and Disability
Good Music
Masses for the Sistine Chapel
The Invention of Art
Olivier Messiaen
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Mathias Spahlinger
The Jazz Loft Project
The Keyboard Sonatas of Joseph Haydn
Baby You’re a Rich Man
Music in German Philosophy
American Orchestras in the Nineteenth Century
Metaphor and Musical Thought
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Pin-Ups 1972
The Yardbirds
An Unnatural Attitude
Message to Our Folks
Sound Experiments
Judaism Musical and Unmusical
The Trouble with Wagner
Interspecies Communication
Punk Pedagogies in Practice
Blank Canvas
Instrument of War
Remixology
The Spirit of This Place
The "Legend of Zelda: Ocarina of Time"
Royal Danish Orchestra
William Kentridge
Music and Capitalism
Music in the World
The Sounds of Capitalism
Irina Baronova and the Ballets Russes de Monte Carlo
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Thinking with Sound
Culture and the Course of Human Evolution
Music in Renaissance Magic
The Letters of Arturo Toscanini
The Romantic Machine
Byzantine Neumes
Throbbing Gristle
The Political Orchestra
Singing in the Age of Anxiety
Music as Social Life
The Democratic Surround
Gothic Music
Music, Discipline, and Arms in Early Modern France
Decolonial Metal Music in Latin America
Music in the Flesh
Networking Operatic Italy
I masnadieri
La traviata
La traviata
Rigoletto
Stiffelio
The Verdi-Boito Correspondence
New Museology
The Scene of Harlem Cabaret
Stolen Time
Androids in the Enlightenment
Louder Than Bombs
This Is Rhythm
The Man Verdi
Hearing Beethoven
Out of Whiteness
Musical Vitalities
Top 40 Democracy
The Silent Musician
Seventeenth-Century Opera and the Sound of the Commedia dell’Arte
School for Cool
"Don Giovanni" Captured
Format Friction
King Alpha’s Song in a Strange Land
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The Rhythm of Thought
New Music in China and The C. C. Liu Collection at the University of Hong Kong
Zerox Machine
Singing for Our Lives
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Classicism of the Twenties
Hymns and the Christian Myth
Mahler
Night Music
Orpheus in the Underworld
Sight Readings
(Re:) Claiming Ballet
Nostalgia and Videogame Music
The Decibel Diaries
Modernism and Music
Music’s Monisms
Untwisting the Serpent
Rhythmic Gesture in Mozart
Allard Motor Company
Ariosto, Opera, and the 17th Century
Music and German National Identity
The Blues Dream of Billy Boy Arnold
Operatic Geographies
Amplified
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Both from the Ears and Mind
From the Score to the Stage
The Art of Nick Cave
Shock Factory
Mozart the Performer
(Re)Positioning Site Dance
Living Metal
Experimenting the Human
The Operas of Giuseppe Verdi
Hole in Our Soul
Art from Start to Finish
Beethoven’s French Piano
The Virtual Haydn
Why the Grateful Dead Matter
New Orleans and the Creation of Transatlantic Opera, 1819–1859
The Opera Fanatic
Mahler’s Symphonic World
Disciplining Music
Of Chronicles and Kings
Hating Jazz
Lonesome Roads and Streets of Dreams
The Art of Mbira
Mbira’s Restless Dance
Thinking in Jazz
Evenings with the Orchestra
Writings through John Cage’s Music, Poetry, and Art
Punk Identities, Punk Utopias
Trans-Global Punk Scenes
Opera in Theory and Practice, Image and Myth
Fantasia Apocalyptica Illustrated
Opera and the Political Imaginary in Old Regime France
Jazz Worlds/World Jazz
Jewish Musical Modernism, Old and New
For the Love of It
Positive Vibrations
Song and Self
The Sound of Byzantium
Music Lessons
Five Years Ahead of My Time
Creative Impulses, Cultural Accents
Berlioz and His World
Tomorrow Never Knows
Courtly Song in Late Sixteenth-Century France
Nadia Boulanger and Her World
Memory, Space and Sound
Magic Flutes and Enchanted Forests
Beethoven’s Ninth
Rachmaninoff and His World
Staging History
Tear Down the Walls
The Search for Medieval Music in Africa and Germany, 1891-1961
Samson Young
Music Making and Civic Imagination
Heavy Metal Armour
Blue Notes in Black and White
Strange Footing
The Fullness of Time
Fossils from a Rural Past
Sonic Multiplicities
Stories of Tonality in the Age of François-Joseph Fétis
Verdi’s Middle Period
Civic Jazz
Move On Up
Musical Migration and Imperial New York
Duke Ellington’s America
Crooner
Rave On
Rock Legends at Rockfield
International Velvet
Music
Learning to Listen
The Rhythmic Structure of Music
A Listener’s Guide to Free Improvisation
Pick Up the Pieces
Conversations with Glenn Gould
The Triumph of Pleasure
Sonic Flux
Igor Stravinsky
Music in Golden-Age Florence, 1250–1750
MASKS
Francesca Caccini at the Medici Court
Curious and Modern Inventions
Women and Musical Salons in the Enlightenment
The Civic Muse
The Art of the Blues
The Idea of Absolute Music
Tristan’s Shadow
The Revolution’s Echoes
Creatures of the Air
Sound Knowledge
Erik Satie
Verdi’s Theater
Not without Madness
Morrissey
Chants of the Byzantine Rite: The Italo-Albanian Tradition in Sicily
The Origins of Cool in Postwar America
The Intellect Handbook of Popular Music Methodologies
The Punk Reader
The Comedians of the King
Dom Sebastien, roi de Portugal
Le convenienze ed inconvenienze teatrali
Maria Stuarda
Pia de’ Tolomei
Poliuto
Gustav Mahler
Guitar Makers
Beethoven for a Later Age
Distant Melodies
Bernhard Lang
Connecting Metal to Culture
More Important Than the Music
Swingin’ the Dream
Singing Sappho
The Capitalist Imaginaries of Popular Music
Carl Nielsen
"Do You Know...?"
Music, Theater, and Cultural Transfer
Opera and Sovereignty
The Voice as Something More
The Composer Embalmed
Brian Ferneyhough
Hip-Hop Archives
A Place for Us
The Music of Antonio Carlos Jobim
Paris Blues
Richard Wagner
Jammin’ at the Margins
Music in the Castle
Deep Refrains
The Musician as Philosopher
The Making of Handel’s Messiah
O Sing unto the Lord
Going for Jazz
Vaudeville Melodies
Beethoven’s Symphonies
Richard Wagner
Robert Schumann
Blowin’ Hot and Cool
The Urbanization of Opera
Angela Gheorghiu
The Guitar
Sound Diplomacy
Sound Authorities
Puccini
The Miles Davis Lost Quintet and Other Revolutionary Ensembles
Pat Metheny
You’ll Know When You Get There
Ornette Coleman
Voice Machines
Sibelius
Divas and Scholars
The Symphony Concert in Nazi Germany
Tuning the World
Jean Sibelius
Coverscaping
Country and Midwestern
Sergei Prokofiev
Seems Like Murder Here
Neil Young
The Melodramatic Moment
Harmonic Function in Chromatic Music
The Death and Resurrection of Elvis Presley
Song Noir
John Cage
Music Theory and the Exploration of the Past
The Many Meanings of Mina
Peter Gabriel
Music and Levels of Narration in Film
A Book of Noises
Manuel de Falla and Modernism in Spain, 1898-1936
Perfect Wave
The Music between Us
Film, Music, Memory
The Moses Complex
Opera Observed
Everyone Loves Live Music
Genre in Popular Music
Four Last Songs
Bitten by the Blues
The Beatles in Hamburg
Who’s Who in Research: Performing Arts
Listening to China
Re-Envisioning Past Musical Cultures
The Eighth
Backstage at the Revolution
Our Musicals, Ourselves
Sounds Beyond
On Concepts and Classifications of Musical Instruments
A Language of Its Own
Lark in the Morning
Anthem Quality
The Bar of the Flattened Heart
The Monkees
Biblical Families in Music
Jazz on the River
Pop Song Piracy
Beethoven
Modernism
Cherubino’s Leap
Distant Cycles
From the Ruins of Enlightenment
I’d Fight the World
Vivaldi
Strong on Music: The New York Music Scene in the Days of George Templeton Strong, Volume 1
Strong on Music: The New York Music Scene in the Days of George Templeton Strong, Volume 2
Strong on Music: The New York Music Scene in the Days of George Templeton Strong, Volume 3
Shakespeare’s Lyric Stage
Unsettling Opera
A Power Stronger Than Itself
Music and the New Global Culture
Sound and Affect
Music, Musicians, and the Saint-Simonians
Haydn’s Sunrise, Beethoven’s Shadow
Sounding Human
Music in the Culture of the Renaissance and Other Essays
Marcus Meibom
Jimi Hendrix
Make the Dream Real
The Haydn Economy
How Belfast Got the Blues
Emotion and Meaning in Music
Music, the Arts, and Ideas
The Spheres of Music
Style and Music
Transatlantic Drift
From Broadway to The Bronx
Divas in the Convent
Habitual Offenders
Nuns Behaving Badly
Saying Something
Electric Wizards
Off the Ground
Pilgrimage to Dollywood
Sounding Latin Music, Hearing the Americas
Screening the Operatic Stage
Mozart and the Mediation of Childhood
The emergence of post-hybrid identities: a comparative analysis of national identity formations in Germany’s hip-hop culture
The Shadow and the Act
Street Scriptures
Tosca’s Rome
Merce Cunningham
The Beat Cop
Music by Numbers
Divining the Oracle
Trustees of Culture
Sonic Signatures
London Voices, 1820–1840
Vocal Victories
A Portrait in Four Movements
Across the Art/Life Divide
John Cage
Improvising Improvisation
The Philosophy of Improvisation
So Lonesome
In Search of Tito’s Punks
Following the Score
A Catalogue of Early Printed Editions of the Works of Frederic Chopin in The University of Chicago Library
A Descriptive Catalogue of Early Editions of the Works of Frederic Chopin in the University of Chicago Library
Feasting and Fasting in Opera
Places and Purposes of Popular Music Education
Liberace
The Whole Book of Psalms Collected into English Metre by Thomas Sternhold, John Hopkins, and Others
The Whole Book of Psalms Collected into English Metre by Thomas Sternhold, John Hopkins, and Others
Popular Music Ethnographies
Puccini and The Girl
Deleuze and Film Music
Urban Music Governance
Antonio Salieri and Viennese Opera
Saint Cecilia in the Renaissance
The Temple of Fame and Friendship
I Feel So Good
Composing Capital
Blackface Nation
Opera, Sex and Other Vital Matters
PUNK! Las Américas Edition
Composed Theatre
Flip the Script
Serbian & Greek Art Music
The Lived Experience of Improvisation
Arnold Schoenberg
Nightingales in Berlin
Emblems of Mind
Wherever the Sound Takes You
Composing for the Jazz Orchestra
Composing Music
Heroes
The Musical Comedy Films of Grigorii Aleksandrov
Let’s Make a Better World
Easy Riders, Rolling Stones
Rock ’n’ Roll Plays Itself
Van Halen
Analyzing NES Music
Harmony
Robert Schumann’s Advice to Young Musicians
Haplomatics
Puccini’s Soundscapes
Renegade Rhymes
Computing Taste
Who Killed Cock Robin?
Music in the Present Tense
Heavy Metal and Disability
Good Music
Masses for the Sistine Chapel
The Invention of Art
Olivier Messiaen
Sun Ra’s Chicago
Punk Art History
The Acoustic World of Early Modern England
The Key of Green
Mathias Spahlinger
The Jazz Loft Project
The Keyboard Sonatas of Joseph Haydn
Baby You’re a Rich Man
Music in German Philosophy
American Orchestras in the Nineteenth Century
Metaphor and Musical Thought
A Band with Built-In Hate
Pin-Ups 1972
The Yardbirds
An Unnatural Attitude
Message to Our Folks
Sound Experiments
Judaism Musical and Unmusical
The Trouble with Wagner
Interspecies Communication
Punk Pedagogies in Practice
Blank Canvas
Instrument of War
Remixology
The Spirit of This Place
The "Legend of Zelda: Ocarina of Time"
Royal Danish Orchestra
William Kentridge
Music and Capitalism
Music in the World
The Sounds of Capitalism
Irina Baronova and the Ballets Russes de Monte Carlo
Making It Up Together
Thinking with Sound
Culture and the Course of Human Evolution
Music in Renaissance Magic
The Letters of Arturo Toscanini
The Romantic Machine
Byzantine Neumes
Throbbing Gristle
The Political Orchestra
Singing in the Age of Anxiety
Music as Social Life
The Democratic Surround
Gothic Music
Music, Discipline, and Arms in Early Modern France
Decolonial Metal Music in Latin America
Music in the Flesh
Networking Operatic Italy
I masnadieri
La traviata
La traviata
Rigoletto
Stiffelio
The Verdi-Boito Correspondence
New Museology
The Scene of Harlem Cabaret
Stolen Time
Androids in the Enlightenment
Louder Than Bombs
This Is Rhythm
The Man Verdi
Hearing Beethoven
Out of Whiteness
Musical Vitalities
Top 40 Democracy
The Silent Musician
Seventeenth-Century Opera and the Sound of the Commedia dell’Arte
School for Cool
"Don Giovanni" Captured
Format Friction
King Alpha’s Song in a Strange Land
Nick Drake
The Rhythm of Thought
New Music in China and The C. C. Liu Collection at the University of Hong Kong
Zerox Machine
Singing for Our Lives
Singing for Our Lives
Music/City
Sex, Death, and Minuets
Gender, Race and Religion in Video Game Music
Say No to the Devil
Classicism of the Twenties
Titles In Subject
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