A Portrait in Four Movements
The Chicago Symphony under Barenboim, Boulez, Haitink, and Muti
9780226609911
9780226610085
A Portrait in Four Movements
The Chicago Symphony under Barenboim, Boulez, Haitink, and Muti
“Playing in an orchestra in an intelligent way is the best school for democracy.”—Daniel Barenboim
The Chicago Symphony Orchestra has been led by a storied group of conductors. And from 1994 to 2015, through the best work of Daniel Barenboim, Pierre Boulez, Bernard Haitink, and Riccardo Muti, Andrew Patner was right there. As a classical music critic for the Chicago Sun-Times and WFMT radio, Patner was able to trace the arc of the CSO’s changing repertories, all while cultivating a deep rapport with its four principal conductors.
This book assembles Patner’s reviews of the concerts given by the CSO during this time, as well as transcripts of his remarkable radio interviews with these colossal figures. These pages hold tidbits for the curious, such as Patner’s “driving survey” that playfully ranks the Maestri he knew on a scale of “total comfort” to “fright level five,” and the observation that Muti appears to be a southpaw on the baseball field. Moving easily between registers, they also open revealing windows onto the sometimes difficult pasts that brought these conductors to music in the first place, including Boulez’s and Haitink’s heartbreaking experiences of Nazi occupation in their native countries as children. Throughout, these reviews and interviews are threaded together with insights about the power of music and the techniques behind it—from the conductors’ varied approaches to research, preparing scores, and interacting with other musicians, to how the sound and personality of the orchestra evolved over time, to the ways that we can all learn to listen better and hear more in the music we love. Featuring a foreword by fellow critic Alex Ross on the ethos and humor that informed Patner’s writing, as well as an introduction and extensive historical commentary by musicologist Douglas W. Shadle, this book offers a rich portrait of the musical life of Chicago through the eyes and ears of one of its most beloved critics.
The Chicago Symphony Orchestra has been led by a storied group of conductors. And from 1994 to 2015, through the best work of Daniel Barenboim, Pierre Boulez, Bernard Haitink, and Riccardo Muti, Andrew Patner was right there. As a classical music critic for the Chicago Sun-Times and WFMT radio, Patner was able to trace the arc of the CSO’s changing repertories, all while cultivating a deep rapport with its four principal conductors.
This book assembles Patner’s reviews of the concerts given by the CSO during this time, as well as transcripts of his remarkable radio interviews with these colossal figures. These pages hold tidbits for the curious, such as Patner’s “driving survey” that playfully ranks the Maestri he knew on a scale of “total comfort” to “fright level five,” and the observation that Muti appears to be a southpaw on the baseball field. Moving easily between registers, they also open revealing windows onto the sometimes difficult pasts that brought these conductors to music in the first place, including Boulez’s and Haitink’s heartbreaking experiences of Nazi occupation in their native countries as children. Throughout, these reviews and interviews are threaded together with insights about the power of music and the techniques behind it—from the conductors’ varied approaches to research, preparing scores, and interacting with other musicians, to how the sound and personality of the orchestra evolved over time, to the ways that we can all learn to listen better and hear more in the music we love. Featuring a foreword by fellow critic Alex Ross on the ethos and humor that informed Patner’s writing, as well as an introduction and extensive historical commentary by musicologist Douglas W. Shadle, this book offers a rich portrait of the musical life of Chicago through the eyes and ears of one of its most beloved critics.
Reviews
Table of Contents
Foreword
Preface
Preface
Introduction
I Daniel Barenboim (1991–2006)
Early Weaknesses and Emerging Strengths
Celebrating a Great Trumpeter
Taking on Signature Pieces
Lightning Strikes with Radu Lupu in Berlin
Returning Home to Argentina
Reaching New Heights at Home and Abroad
A Conversation among Geniuses
Going Out on Top
Looking Back at His Chicago Years
II Pierre Boulez (1991–2010)
A Visitor Enchants the City
Revelatory Analyses from the Podium
Ligeti, Ravel, Berio, and Berlioz
Tackling New Music
A Musician’s Evolution
Modernism from Mahler to Janáček
III Bernard Haitink (2006–2010)Revelatory Analyses from the Podium
Ligeti, Ravel, Berio, and Berlioz
Tackling New Music
A Musician’s Evolution
Modernism from Mahler to Janáček
Taking the Stage in a New Role
Impressing with a Wide Repertoire
Chicago’s Greatest Ambassador
Bruckner Beyond Words
A Profound Beethoven Cycle
Mahler by a Master Interpreter
A New “Creation”
Beethoven’s Greatest Mass
Impressing with a Wide Repertoire
Chicago’s Greatest Ambassador
Bruckner Beyond Words
A Profound Beethoven Cycle
Mahler by a Master Interpreter
A New “Creation”
Beethoven’s Greatest Mass
IV Riccardo Muti (2010–)
A Musical Romance
Triumph in the Verdi Requiem
Austria v. Germany
Celebrating His Arrival
Verdi’s Otello
Open Hands, Open Heart
New Music in Chicago and California
Cherubini: A Forgotten Classical Master
An Emotional Return to Italy with “His Orchestra”
Embracing Eclecticism
The Challenge of a “Universal” Mass Setting
Finding the Sacred in Verdi, Vivaldi, and Mozart
Verdi’s Macbeth
What Makes a Composer Italian?
A Musician’s Retirement and a Conductor’s Teacher
Three Russians
Afterword: Riccardo Muti Remembers Andrew PatnerTriumph in the Verdi Requiem
Austria v. Germany
Celebrating His Arrival
Verdi’s Otello
Open Hands, Open Heart
New Music in Chicago and California
Cherubini: A Forgotten Classical Master
An Emotional Return to Italy with “His Orchestra”
Embracing Eclecticism
The Challenge of a “Universal” Mass Setting
Finding the Sacred in Verdi, Vivaldi, and Mozart
Verdi’s Macbeth
What Makes a Composer Italian?
A Musician’s Retirement and a Conductor’s Teacher
Three Russians
Acknowledgments
Notes
Select Bibliography
Index of Composers and Works
Notes
Select Bibliography
Index of Composers and Works
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