Haydn’s Sunrise, Beethoven’s Shadow
Audiovisual Culture and the Emergence of Musical Romanticism
Haydn’s Sunrise, Beethoven’s Shadow
Audiovisual Culture and the Emergence of Musical Romanticism
Deirdre Loughridge reveals that allusions in musical writings to optical technologies reflect their spread from fairgrounds and laboratories into public consciousness and a range of discourses, including that of music. She demonstrates how concrete points of intersection—composers’ treatments of telescopes and peepshows in opera, for instance, or a shadow-play performance of a ballad—could then fuel new modes of listening that aimed to extend the senses. An illuminating look at romantic musical practices and aesthetics, this book yields surprising relations between the past and present and offers insight into our own contemporary audiovisual culture.
328 pages | 5 color plates, 33 halftones, 68 musical examples, 4 tables | 6 x 9 | © 2016
Art: Art Criticism
Culture Studies:
History: History of Technology
Music: General Music
Reviews
Table of Contents
One From Mimesis to Prosthesis
Two Opera as Peepshow
Three Shadow Media
Four Haydn’s Creation as Moving Image
Five Beethoven’s Phantasmagoria
Conclusion: Audiovisual Returns
Acknowledgments
Notes
Select Bibliography
Index
Awards
The Center for Eighteenth-Century Studies at Indiana University: Oscar Kenshur Book Prize
Won
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